The Cohort

The artists of HomeMaking, curated by Lisa Lowenstein. Each artist's portrait, bio, statement, and examples of their work appear below.

Curator

Lisa Lowenstein

Lisa Lowenstein has been designing jewelry since childhood and working as a designer since 2011. Her 15 years living in Rome, Italy, working with cultural institutions and artists, were extremely formative in shaping her as a designer. Her work has been shown in galleries and museums in the USA (NY and RI) and Europe and received critical appreciation from both arts and journalistic sources. She is an exhibiting member of the Imago Art Gallery in Warren, RI.

Instagram
@fulvafusca
  • Portrait of Anhkim Chi Dang

    Anhkim Chi Dang

    Short Bio

    Anhkim Chi Dang is a Transgender Vietnamese American Artist based in Boston. She was raised in the suburbs of North Jersey with her two parents and sister. As a descendant of the earliest wave of Vietnamese War refugees who became American Citizens, her work is an investigation of identity, generational trauma and healing.

    Artist Statement

    Using various forms of image making, my mission is to create a contemporary view of the Vietnamese American diaspora to help speak to the community about feelings of softness, grief, home, and unfamiliar nostalgia.

    Instagram
    @keemchid

    From the Artist's Practice

    Self-portrait of the artist holding a payphone receiver, wearing a brown corduroy jacket over a leopard-print top.Photograph of Maggi Seasoning bottles lined up, from an ongoing series on Vietnamese American pantry staples.Photograph of Phan Thiet fish sauce bottles, from an ongoing series on Vietnamese American pantry staples.
  • Portrait of Carolyn May Windham

    Carolyn May Windham

    Short Bio

    Carolyn is a retired teacher (mostly of the under-12 variety), a mother and grandmother, a quilter, knitter, gardener, animal caretaker, editor, member of a well-known chorus, board member at a local art gallery, originator of a book club that has stayed together for over 20 years, and a volunteer at a riding stable that works with disabled children. She is also the widow of a 53-year marriage to an incredible artist.

    Artist Statement

    I have been nurturing and homemaking for over seven decades, starting with my stuffed animals, my dolls, my dog, and my dollhouse. All of these roles — mother, grandmother, teacher, quilter, knitter, gardener, caretaker, editor, singer, board member, volunteer — have required massive amounts of nurturing and creative thinking.

    From the Artist's Practice

    A quilted coastal scene with a sun, clouds, and layered rows of fish swimming through seaweed, trimmed with ribbons and small shells along the bottom.A patchwork memory quilt made from many small printed fabric squares, with the initials FMW appliquéd in red near the center, draped over a sofa.A textured hand-woven wall hanging combining purple, red, pink, green, and cream yarns of varied thicknesses and loops.
  • Portrait of Cassandra Homen

    Cassandra Homen

    Short Bio

    Cassandra comes from a long line of women who crafted both out of necessity and for the joy of creating, and they nurtured her love of knitting from an early age. In first grade, she joined 4-H and learned to sew, immediately catching the crafting bug. That experience sparked a lifelong passion for fiber arts, and over the years her skills have grown to include knitting, tatting, needlepoint, embroidery, and cross-stitch.

    Artist Statement

    My early introduction to fiber arts also inspired me to study fashion design in college, and today I work in the fashion industry. Knitting is woven into my everyday life — wherever I go, there's a good chance my bag holds a project for whenever inspiration strikes. It is not only a form of therapy and creative expression for me, but it has also introduced me to an incredible community of women of all ages and backgrounds whose friendship I deeply value.

    From the Artist's Practice

    A maroon knitted poncho with cable and lace pattern displayed on a mannequin.A hand-knit shawl in green, magenta, and cream stripes wrapped around the shoulders.A dark, textured herringbone-patterned knitted cowl on a mannequin torso.
  • Portrait of Celeste Curioso

    Celeste Curioso

    Short Bio

    Celeste trained and worked in medicine, and later made choices for her family that changed the direction of her life. Through those changes, making became a place of comfort, joy, and connection — one of the ways she stays grounded. She is happiest when creativity becomes something shared: a knitting circle, a class, teaching, or a community project.

    Artist Statement

    I have always loved making things with my hands. Knitting, crochet, gardening, and now basketmaking all find their way into my work. I am drawn to the patience of handwork — the rhythm, the repetition, the small decisions that slowly become something useful or beautiful. One of my favorite processes is the restoration and repair of heirloom crocheted items.

    Instagram
    @curlola

    From the Artist's Practice

    A person wearing a white button-down shirt with a long grey crocheted scarf featuring small pink and white flower accents draped over their shoulders.A grey knitted sweater vest draped over a white wooden railing outdoors in winter.
  • Portrait of Desire' Jackson-Crosby

    Desire' Jackson-Crosby

    Short Bio

    Desire' is a writer and artist currently based in Central Massachusetts. She is the founding editor of Through Lines Magazine, a platform that honors the various intersections of the human experience through the lens of artistry and deep conversation.

    From the Artist's Practice

    Examples coming soon

  • Portrait of Emily Voutes

    Emily Voutes

    Short Bio

    Emily Voutes is a New York City–based fashion professional specializing in concept and styling. Drawn to costume and fashion history, she enjoys sourcing archival fashion pieces and maintains a personal artistic practice spanning painting, ceramics, collage, and neon. Outside of work, she volunteers with the ASPCA and enjoys spending time with her husband and speed walking with her dog in Central Park.

    Instagram
    @emvoutes

    From the Artist's Practice

    Examples coming soon

  • Portrait of Eveline Luppi

    Eveline Luppi

    Short Bio

    A native Rhode Islander who lived and worked in NYC for many years, Eveline Luppi is a former gallery owner, curator, and teacher of abstract painting. She attended the Art Students League of New York for several years, where Rothko, Jackson Pollock, and Georgia O'Keeffe formerly were students. Her work has been exhibited widely in New York and New England. Luppi currently lives in Rhode Island.

    Artist Statement

    Years of exploration with paint have led Eveline Luppi's journey to create work that is technically challenging and visually inspiring to the viewer. Her work draws from the tradition of the Russian Constructivist Movement and Dutch Neoplasticism; her vocabulary is based on geometric techniques, where memory and experience are rendered as deeply structured space, full of passionate transitions and juxtapositions. The use of color is central to her work, evoking emotional states and bringing the viewer to a unified perception of the symbolic content. Her work is both highly emotional and emblematic of the complexities of contemporary life. She is committed to self-discovery and makes her personal narrative accessible to the viewer.

    From the Artist's Practice

    VILLAGE—My HOME, 2026 — acrylic and cutout paper collage on board, 12x12 / 36x36Home, 2026 — acrylic on canvas, 12x12 inches
  • Portrait of Jane Masters

    Jane Masters

    Short Bio

    Jane Masters is a local multimedia artist originally from Europe and the Caribbean. Her works in drawing, print-making, sculpture and installation collapse the distinction between the fine and decorative arts. Integrating hand rendering with industrial processes she creates complex patterns, images and deadpan texts which address the human condition from a subtly feminist perspective. She has degrees from the College of William and Mary, the Kansas City Art Institute and San Jose State University. She has executed large, permanent commissions for the Chambers Hotel in Manhattan, the Burlington Woods Corporate Park in MA and Fidelity Investments in both MA and RI. Most recently Jane Masters has taught at Connecticut College, the Rhode Island School of Design and Brown University. She has shown at the Tang Teaching Museum at Skidmore College, the Fabric Workshop and Museum, the DeCordova Museum and Sculpture Park and the Williams College Museum of Art. She has received grants from The Joan Mitchell Foundation, The Berkshire Taconic Artist Trust and the Vermont Council for the Arts.

    From the Artist's Practice

    Diana Wallpaper, Tang Version, 2010, 10 feet high by 10 feet wide, digital print. Shown installed in the exhibition The Jewel Thief at the Tang Teaching Museum, Skidmore College, Saratoga Springs, NY, September 17, 2010 through February 27, 2011.Starving Artist, 2010, manually burnt and pierced paper, 19 inches high by 24 inches wide.Mirador, 2008, large-scale etched metal panel wall installation.
  • Portrait of Jayna Mikolaitis

    Jayna Mikolaitis

    Short Bio

    Jayna Mikolaitis (b. 2000 in Hartford, Connecticut) received her BFA in Painting and Graphic Design from Boston University. She is currently the Interim Programming and Media Manager at Boston University's School of Visual Arts and a freelance marketing and studio assistant for creative professionals, shaped by her previous role as Senior Manager of Praise Shadows Art Gallery. She was awarded BU's Arts Initiative Summer Research Award for her work on weaving and textile production, nominated for the Yale Norfolk School of Art Summer Residency, and has recently exhibited at Project Hustle Boston, Gallery 263, Boston City Hall, and NO CALL, NO SHOW.

    Artist Statement

    I am a painter, fiber artist, and designer based in Boston, MA. My work examines the simultaneous tension and symbiosis between humans and nature. I'm specifically interested in the lesbian community's connection to gardens and kitchens and how these spaces—where human intervention and nature collide—have historically functioned as spaces of refuge, connection, and community. My image-based work is often figurative, depicting loopy, elongated figures set in hybrid habitats of domestic interiors and plant life. Inspired by Robin Wall Kimmerer's notion of "species loneliness," I think about the covert ways we try to grow closer to nature through control, mirroring, or mimicking. Ecology, mythology, food policy, and cookbooks are my frequent areas of research. My work, at its core, is about the role of caregivers and how we, as humans, take care of other people and the living things around us.

    From the Artist's Practice

    I'm drawn to the light at dawn, 2025 — oil on canvas, 84 x 60 inchesMake Me Into a Coil Pot, 2024 — oil on panel, 16 x 20 x 1.5 inchesMe and My Asparaguys, 2025 — Japanese watercolors on Arches paper, 12 x 9 inches
  • Portrait of Jordyn Fullaway

    Jordyn Fullaway

    Short Bio

    Jordyn Fullaway is a painter and mixed media artist exploring texture, movement, and layered mark-making through rhythm, color, and scale. Her background in neuroscience and philosophy, along with travel-based study in Denmark and India, has played a formative role in shaping her practice.

    Artist Statement

    My work has been exhibited in local galleries and community spaces, including Imago Foundation for the Arts, where I was a juried artist (June 2024) and guest artist (February 2026). I have also completed installations at Pivotal Brewery in Newport, RI and Coffee Depot in Warren, RI, and regularly participate in regional art festivals. My work is held in private collections.

    From the Artist's Practice

    Red Sun, 2025 — acrylic paint on canvas, 60 x 108 in.Blue, 2024 — acrylic on canvas, 60 x 108 in.The Weaver, 2024 — mixed media collage, acrylic, paper, thread, and hand-sewn elements on canvas, 30 x 40 in.
  • Portrait of Keely O'Connor

    Keely O'Connor

    Short Bio

    Keely O'Connor is primarily a painter, but interdisciplinary in her experimentation. She started looking at her practice professionally at age 12, attended Interlochen Arts Camp and pre-college programs at Syracuse, Pratt, and MassArt, and by 18 had won or placed in over 40 art competitions. She holds a BFA from the School of the Museum of Fine Arts at Tufts University, with time abroad at Camberwell College of Arts in London.

    Artist Statement

    In 2022, I was awarded the Stephen D. Paine Scholarship and exhibited at the Alpha Gallery as part of this accomplishment. "A Summer Day I Can't Remember" was shown in the "Within" exhibition through ArtFluent in 2022. I was awarded a commission to paint Martine Rothblatt by The Alcove in 2024, and that painting is now in the permanent “Founders and Inventors Who Shaped Our World” exhibition that opened in 2026.

    From the Artist's Practice

    Painting of two women sitting at a table with playing cards and an ashtray, calendar on the wall.Painting of a person in a pink dress standing in a doorway.Painting of several figures in a dimly lit room with red and purple tones.
  • Portrait of Keni Densley

    Keni Densley

    Short Bio

    Keni Densley is a maker whose creative practice is rooted in resourcefulness, texture, and a lifetime of tactile problem-solving. Raised in an exceptionally creative household, Keni was heavily influenced by a stepfather who first exposed them to art and creative expression. Keni began sewing in middle school, fiercely supported by a mother who championed both musical studies and traditional homemaking skills. While college expanded Keni's artistic horizons into clay, concrete, metals, paper, and acrylics, a dual background in Art Education and Occupational Therapy ultimately shaped a career: Keni taught art at St. Andrew's School in Barrington and spent 18 years practicing OT in the Providence public schools.

    Artist Statement

    Today, Keni works primarily with textiles, operating under a strict creative constraint: using only what is already on hand from a vast personal "stash" of fabric, affectionately termed "material wealth." By rejecting new retail purchases, Keni approaches quilting and textile design through the lens of an engineer and an educator, transforming existing materials into structured, deliberate, and environmentally conscious works.

    From the Artist's Practice

    Black and white paisley patterned accessory with a gold crescent brooch, alongside reusable shopping bags repurposed from rice and feed sacks.Quilted fabric wall hanging with a central black-and-white photograph of soldiers, framed by borders of floral, crane, and geometric patterned fabrics.
  • Portrait of Kiara Reagan

    Kiara Reagan

    Short Bio

    Kiara Reagan is an interdisciplinary artist working primarily in textiles and sculpture. She grew up in rural New Hampshire and holds a BFA from the School of the Museum of Fine Arts at Tufts University in Boston.

    Artist Statement

    I have recently shown work in Greater Boston at Gallery 263, the Mills Gallery, and No Call No Show Gallery, in addition to my recent solo show, Dead Body: A Quilt Show, at Project Hustle. I am a 2025 awardee of the Rat City Arts Festival Grant.

    Instagram
    @kiaraareagan

    From the Artist's Practice

    "Dollhouse", 2026, mixed media, 24.5x28.5x17in — a person in a black t-shirt lying on the floor, looking into a red and yellow toy dollhouse."Cosmic Egg", 2025, quilt made from secondhand fabrics and woodblock print, 37x33in."Mom: After Louise Bourgeois", 2021; a large spider-like sculpture made of black fabric and pipe insulation standing in a gallery with a chair beneath it; ~10x10x10ft.
  • Portrait of Lisa Lowenstein

    Lisa Lowenstein

    Short Bio

    Lisa Lowenstein is an international consultant to creatives, artists, creative businesses, and arts institutions, with 30 years of experience helping creative people and organizations clarify what makes their work distinctive. She is also a jewelry artist whose practice is built around one-of-a-kind and small-edition pieces that draw on classical form, cameos, and hand-finished metalwork. She is the founder and lead of Studio to Market, and the curator of HomeMaking.

    Artist Statement

    My jewelry practice is a slower, hand-made counterpart to my consulting work. Each piece is built one at a time, often around cameos, coins, and small heirloom-scale objects. The work sits at the intersection of ornament, portrait, and personal object, and treats jewelry as something to be lived with rather than displayed.

    Instagram
    @fulvafusca

    From the Artist's Practice

    Fringe bib necklace — gunmetal chain with cascading fringe and mixed gemstone and metal charms.Gold chain necklace hung with classical intaglio and coin-style medallions.Black leather cuff laced with silver chain and set with a carved shell cameo.
  • Portrait of Madeline Kanter

    Madeline Kanter

    Short Bio

    Madeline Kanter is an intuitive painter drawn to color, pattern, and texture. She holds a BS in Early Childhood Development from Cornell University's College of Human Ecology and a certificate in Interior Design from RISD, where she also studied repeat-pattern design for textiles. Her earlier work designing patterns for textile mills continues to shape her practice.

    Artist Statement

    Painting is the place where I most fully recognize myself. I respond to energy — dull or lifeless color does not interest me. When the color is right, there is balance, movement, and surprise. Many of my paintings are built through layers; what is visible on the surface may have five earlier versions underneath. I keep working until a brushstroke, texture, line, or color creates the sense of wholeness I am looking for.

    From the Artist's Practice

    Vertical painting with a geometric, abstract composition of warm oranges, yellows, and pinks framed by a striped border.Abstract painting dominated by yellow tones with layered, swirling linear patterns in yellow, green, and magenta over a textured background.Abstract painting with black stick-figure-like shapes layered over a blue background with white scribbled lines and green patches.
  • Portrait of Niki Litts

    Niki Litts

    Short Bio

    Niki Litts is a Providence, RI–based multidisciplinary artist and founder of Glyph Haus (2018), an art fabrication studio specializing in custom commissions for the hospitality industry. Guided by a deep curiosity for materials and process, her practice incorporates textiles, ceramics, paint, and non-traditional media to create immersive, site-responsive artwork. Her commissioned work has been realized through collaborations with leading art consultancies for hospitality brands including Edition, Hampton Inn, Westin, and Element, as well as multi-unit residential properties and resorts throughout the United States and Singapore.

    Artist Statement

    I'm interested in the role art plays in shaping public spaces — building context, encouraging connection, and strengthening a sense of shared identity within communities. Drawing from my background in design, communications, project management, and community arts programming, I develop artworks and experiences that balance conceptual depth with accessibility and engagement.

    Instagram
    @glyph_haus

    From the Artist's Practice

    Framed square painting installed on a white gallery wall — soft washes of blush, taupe, and grey with black ink drips forming a ghostly arched form at center.Abstract painting with a textured, golden-brown center fading into deep blue and violet edges, evoking a dust cloud or nebula.Circular cyanotype-style work in deep blues and whites depicting a stone archway opening onto sky and light.Peach and pearlescent painting with concentric rings, stacked circles, and a pill-shaped form outlined in teal glitter.
  • Portrait of Seline Lopez

    Seline Lopez

    Short Bio

    Seline Lopez is a junior at Roger Williams University studying Visual Arts with minors in Psychology and Film Studies. Her work focuses on photography, mixed media, and visual storytelling influenced by film and media, and she is developing her practice through experimentation with different visual styles and approaches.

    Artist Statement

    Home is not a fixed place, but something built through memory, emotion, and lived experience — fragments of film that capture everyday moments with personal meaning and nostalgia. For me, home is deeply connected to the women in my family and the spaces they create and move through. My work documents moments shared with them, focusing on domestic life, memory, and generational connection. Through photography and film I capture quiet interactions, routines, and personal histories that often go unnoticed but hold emotional weight — showing how home is built through relationships, inherited strength, and the stories passed between women over time.

    Instagram
    @seleo.art

    From the Artist's Practice

    "Grandma & Great Grandparents" (2026), Canon EOS 5D Mark IV — a woman shot from behind, silhouetted against a bright window, holding up a framed vintage portrait of her grandparents."3 Reflections" (2023), alcohol markers and Prismacolor on media paper — an outstretched blue hand reaching from a bright field toward a smaller white hand emerging from a dark black space."Fencehopping" (2026), Canon EOS 5D Mark IV — a black-and-white documentary photograph of a child at a wrought-iron gate as two figures climb the fence beside a brick building in winter.
  • Portrait of Yvonne Weiss

    Yvonne Weiss

    Short Bio

    Yvonne Weiss works as OranjeGirl Handmade. Born in Holland — a country rich in traditions of handwork — she moved to the United States at nine. Her mother was always making something: knitting, sewing, embroidery, rug hooking. Though Yvonne became a doctor specializing in pediatric neonatal care, she followed in her mother's footsteps, always with an embroidery, knitting, or cross-stitch project at hand.

    Artist Statement

    I've made handmade things all my life, alongside a busy medical practice and raising five kids (now nine grandkids). After retiring from pediatrics, I opened a knitting and quilting store in Barrington, working with other makers, teaching and learning. Along the way I fell in love with Liberty and Japanese daiwabo fabrics and with repurposing quilts — all of which I bring into my creations. After ten years I sold the store so I could give my own work my full attention.

    From the Artist's Practice

    Hand-knit baby cardigan in horizontal stripes of green, rust, teal, cream, and brown with a cobalt blue border and tie closure.A cropped, tasseled pullover in floral chartreuse, blue, and purple fabric with dip-dyed shoulders, shown beside a hand-knit mohair infinity scarf in coral, pink, and orange stripes.